This substantive and useful commentary on the book of Numbers is both critically engaged and sensitive to the theological contributions of the text. It is grounded in rigorous scholarship but useful for those who preach and teach. This is the second volume in a new series on the Pentateuch, which complements other Baker Commentary on the Old Testament series: Historical Books, Wisdom and Psalms, and Prophets. Each series volume covers one book of the Pentateuch, addressing important issues and problems that flow from the text and exploring the contemporary relevance of the Pentateuch. The series editor is Bill T. Arnold, the Paul S. Amos Professor of Old Testament Interpretation at Asbury Theological Seminary.

Highly regarded Old Testament scholar John Goldingay offers a substantive and useful commentary on the book of Genesis that is both critically engaged and sensitive to the theological contributions of the text. This volume, the first in a new series on the Pentateuch, complements the successful Baker Commentary on the Old Testament: Wisdom and Psalms series (series volumes have sold over 55,000 copies). Each series volume will cover one book of the Pentateuch, addressing important issues and problems that flow from the text and exploring the contemporary relevance of the Pentateuch. The series editor is Bill T. Arnold, the Paul S. Amos Professor of Old Testament Interpretation at Asbury Theological Seminary.

This commentary is an innovative interpretation of one of the most profound texts of world literature: the book of Genesis. The first book of the Bible has been studied, debated, and expounded as much as any text in history, yet because it addresses the weightiest questions of life and faith, it continues to demand our attention. The author of this new commentary combines older critical approaches with the latest rhetorical methodologies to yield fresh interpretations accessible to scholars, clergy, teachers, seminarians, and interested laypeople. It explains important concepts and terms as expressed in the Hebrew original so that both people who know Hebrew and those who do not will be able to follow the discussion. "Closer Look" sections examine Genesis in the context of cultures of the Ancient Near East. "Bridging the Horizons" sections enable the reader to see the enduring relevance of the book in the twenty-first century.

The developments in Old Testament studies during the past twenty-five years have created a mountain of scholarly data that challenges even the best-read researcher. From textual criticism to literary approaches, from historiography to social science, each discipline possesses unique patterns of development, scholarly personalities, and methodologies. The Face of Old Testament Studies tackles the challenge of organizing this wealth of data through a collection of essays on sixteen major areas of contemporary Old Testament research. Each contributor traces recent developments in his field of expertise, delineating new directions and crucial methodologies that have emerged in the mainstream academy. One distinctive of this compilation is that it also pays attention to conservative scholars who have made contributions of significance that have been recognized beyond their own camp. This reference work affords professors and students an overview of the salient issues and current approaches to Old Testament research. It is suitable as a textbook for Old Testament Introduction, Hebrew Exegesis, and Old Testament Theology courses, and will also be helpful for non-specialists who desire to keep up with developments in Old Testament studies.

Jessica Lange plays a defence lawyer trying to block the extradition of her father (Armin Muller-Stahl), a Hungarian steelworker who is accused of having been a sadistic Nazi torturer during World War II. As the trial proceeds and her strategic defence begins to take shape, Jessica Lange must confront the possibility that her father is not who he says he is.

Poetry, they say, can be an expression incapable of being put in words. That is certainly not true of Bill Arnold's Beachcomber. It is a book which resonates with feelings, things felt, and sensed, with all the vivid senses of the human soul, including the author's personal history and blended with a genuine sense of Florida. This is a work that exists in the heart of reader, and freely shares emotions we all share in our closest relationships, especially love, and all its manifestations: between the poet and his deepest experiences while growing up in Florida, falling in love amid the lush tropics. It is full of things felt, not known; things dreamed and starkly realized, not reasoned but thrust upon the soul. It is descriptive moments realized, quietly and beautifully, and cast into rich words. just you and the a poetry talker, reliving the past of family members made real, through how the poet engaged the colorful world of Florida and puts the reader there, experiencing through the poet's eyes: the rich panoply of life, the give-and-take of the personal, amid the weighty news of the world, as filtered in a readable and widely accessible exploration. Beachcomber focuses Florida as it is away from the maddening crowd, as seen through the mind over time: as the poet wrote, "When I was a kid in St. Pete, barely a year old, my mother's friend Joe LaRocca took the picture on the cover of this book of me with the million dollar pier in the background and published it on the front page of the St. Pete Times. I was the "beachcomber." Finding poems in your mind is like finding shells on a beach. My father always told me there was nothing to find in our past, as his father's father ran away with a lady of the night and left my great-grandmother Ella with a slew of kids and he was forever the black sheep of the family. All he knew was that renegade had ferried people back-and-forth between St. Pete and Bradenton, back before bridges. So: I set off in search of the renegade skeletons in my own mental closets. My mother was an Irish O'Neill and Portuguese Tarvis, from the north, and had met my father on a beach at spring break way back before the second world war and the rest is history. Then I found out I was a six month premie baby, and my father had to marry my mother. God, the poetic shells I found on my beach "